The Fourth Wall of Song

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The fourth wall is where a piece of media engages directly with the audience. This could be an actor looking directly into the camera and saying, to the audience "I know I'm just a character in a movie," or a character in a video game trying to convince another character that they're "a character in a simulation, a video game". The media, and the characters within it, become self aware. Often creepy, sometimes observational, or used to help drive the story home with more emotional impact.

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Song is something that does this - probably far more commonly than other forms of media. There's more songs than movies, more songs than games, so it comes to reason that the averages result in this. The fourth wall being broken in song invites people into the artist's life, and we get something much deeper.

That is also why I love reading hand written lyrics. I know they are usually "secrets" and commercial in confidence before being turned into a song (even if they're commercially valuable only to the self) - but I guess that makes them a poem before they are song.

I remember "reading" a book of Curt Cobain's journals that I borrowed from the public library. It was such an an unusual format for a mass market book. I was probably in my early-teens, and thoroughly interested in writing. I was glad I had the opportunity to experience it, as hand written things tend to have much more intimate appeal than something typed and polished. It is an irony that I am not hand writing this post, given that I founded the hand written community on Hive.

More recently, I have been diving deeply into Florence Welch, and her book, "Useless Magic" filled with a whole bunch of collage, mixed media, scribbles, photographs, and hand written, original versions of songs and poetry. It is fascinating to see that come to life in a book, collated after the stream of consciousness.

From what has been released so far from the new album Everybody Scream, it looks as though that will be an album that will entirely and utterly break the fourth wall in every single way. It appears to be a deeply personal project. But she has certainly hinted at smashing down the fourth wall in the past.

Excerpt from The Bomb by Florence and the Machine:

*I've blown apart my life for you
And bodies hit the floor for you
And break me, shake me, devastate mе

Come here, baby, tell me that I'm wrong
I don't love you, I just love the bomb (oh-oh-oh)
I let it burn, but it just had to be done (oh-oh-oh)
And I'm in ruins, but is it what I wanted all along?
Sometimes you get the girl, sometimes you get a song*

From My Love:

I was always able to write my way out
The song always made sense to me
Now I find when I look down
Every page is empty

And finally, from The End of Love:

I feel nervous in a way that can't be named
I dreamt last night of a sign that read "The end of love"
And I remember thinking
Even in my dreaming
It was a good line for a song

These lyrics take the first person perspective, and are woven into the creative process - but that is not the only way in which the fourth wall lends extra strength to a piece of music. Sometimes, a song will use the second person "you", to tell a story; and that forces the viewer into the shoes of the performer. It is powerful.

What are your favourite songs that break the fourth wall?



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6 comments
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I love this thing about breaking the fourth wall in music because, at least for Florence's experience, you can see how writing songs is so important to her. You feel strongly her love for making music from personal experiences.

I don't think I know a song that does this, probably because I'm not able to focus on lyrics. That's because it's hard for me to understand english when it's singed, I need to read the words.

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At least you have more than one language in your wheelhouse!

This article evolved from a comment on one of your pieces about song writing, so I blame and thank you for inspiring me to write it.

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Music does have that ability to reach through the wall of the heart and squeeze, does t it? You do love Florence! I guess songs tend to mire explicitly break the fourth wall as the musician always directly speaks to an audience - the stage is more present and overtly there, as opposed to film or rext where you look as a voyeur onto a scene. It's more jarring when actors or characters break the fourth wall as it's unconventional.

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I wonder if there is much theatre that breaks the fourth wall. The stage is there. I've only seen a few shows in proper theatres, they were very much not big on breaking down that wall. Its a shame that so much theatre is musical - I prefer the dramatic.

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I've been keeping away from the new one, other than One of the Greats. Wanna listen in one piece, but I absolutely love the way she breaks the fourth wall. I did get two records of hers earlier though, was admiring them and did think of you ;)

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The cover photographs are so engaging and mysterious, in particular on How Big How Blue How Beautiful. The one for High as Hope has a similar mystique to it as well.

I had the opportunity to listen to a bit of the album today in the car on the way to my dentist appointment, but traffic was dense and stressfull so I wasn't able to appreciate it fully.

Will take a few listens.

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